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Eight-And-A-Half Minus Six

What went nearly brilliantly for director Rob Marshall in his adaptation of the Broadway musical CHICAGO seven years ago somehow misses the mark, albeit with many familiar elements, in this season’s NINE.  As with CHICAGO, Marshall again mines Broadway with NINE, presenting a similarly-staged musical with fantasy numbers interspersed throughout the relatively drab world of the story.  In CHICAGO, impeccable casting, seamless intercutting between the fantasy and reality, and perfectly executed production numbers made…

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